Pierre Philippe Hofmann




   portrait of a landscape
   ad libitum
   what you get is what you saw
   lieux communs
   > stand by

   on time to the opening
   london notebook
   la belle image
   paintless post-painterly abstraction
   nicht schlafen
   recto-verso
   schwizerdütsch for beginners
   best price for you my friend
   grilles de validation

   time elapsed
   der rattenfänger

STAND BY 1999-....
Stand By Salvan (CH), 2019

Standby' is the intermediate state of a mechanical or electronic device in which most of its functions are temporarily switched off, in order to reduce energy consumption. In a way, the device is both asleep and awake, passive and active.

Hofmann likes this in-between state, a kind of agglomeration of reactivity and serenity. In his view, it is also the only attitude he can legitimately assume when using the photographic medium. For 'Stand By', he defines a 16/9 frame (in reference to the narrative proportions used in cinema) and waits for small events to unfold within this predefined portion of space. This frame is like an empty theatre stage, a "place of all possibilities".

He waits patiently, often for hours, for the image to take shape. But, in the end, who will have made the image?
The failure to capture the image is also part of the game. Here, it's the act of waiting that's essential, and the photograph is only a trace of it. This experience has enabled Hofmann to appreciate the slowness of the working process, which has become a specific feature of his research.

Stand By - Chapelle-en-Vercors Shanghaï (CHN) Saint-Gall (CH) Shanghaï (CHN)

Stand By - Bruxelles (BE) Zürich (CH) Shanghaï (CHN) Shanghaï (CHN)

Stand By - Myvatn (ISL) Shanghaï (CHN) Isérables (CH)